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The Telegraph
The millennial artist who struck art-market gold
The Telegraph
Deutsche Börse Photography Foundation Prize 2024
Art Review
What’s the Point of ‘Deep Listening’?
The Telegraph
Hiroshi Sugimoto: it’s hard to look away from this staggeringly inventive show
The Telegraph
Sarah Lucas: about as rebellious as paper doilies
The Telegraph
The RA Summer Exhibition is back – with the usual no-hopers and dearth of ideas
Financial Times
Hong Kong and the art of dissent
Times Literary Supplement
Ai Weiwei’s artistic rebellion
Financial Times
Meet Japan’s drunken demon painter
Financial Times
Hayv Kahraman: the pain of forced migration
Times Literary Supplement
The duelling philosophies of Warhol and Basquiat
Financial Times
Ai Weiwei: a story of faith and fakes
Financial Times
The public sculpture debate — 47 potential ways forward
Times Literary Supplement
Why clothes matter in the art world
Times Literary Supplement
Urban architecture in video games and anime
Times Literary Supplement
Art as a one-stop shop
Financial Times
Why do we give music a human face?
Financial Times
‘The King of Kowloon’
Times Literary Supplement
The world of Japanese graphic novels
Frieze
The 58th Venice Biennale’s beach opera
Times Literary Supplement
How social media erodes happiness
Times Literary Supplement
Asian representation in film
Frieze
What is the Art World’s Responsibility in Europe’s Culture Wars?
Times Literary Supplement
Scraps of emotion at the Foundling Hospital
Financial Times
North Korean design
Frieze
Fake It Till You Make It: the 1st Anren Biennale
Frieze
In ‘Late Great Britain’, what use is art?
Frieze
The art of mountains and water
Frieze
The art of Hong Kong’s future
Frieze
What does ‘Chinese’ mean in Britain today?
Prospect
Hong Kong’s battle for digital rights
Los Angeles Review of Books
Adventures in cultural appropriation
Frieze
Heritage Inc.
The New Inquiry
China’s power pop
New Statesman
The pernicious rise of “indie-classical”
New Statesman
The death of the concert hall